Actually I could reduce my whole travel blog into just being a description of the hostels I’ve stayed at. Since they actually become your temporarily homes for a couple of days, the atmosphere, the meetings they generate etc. becomes fairly essential to your stay. When going to Masunte, a little beach on the pacific Coast, Johanna recommended me a certain Hotel Einstein were she had been staying 3 years ago. She did not recommend it because of nice cabañas, clean toilets, nor wonderful breakfast, but due to the owner, Carlos Einstein (if he was still alive, she added). The story does not reveal Carlos real name but a glimpse at him explained his nickname Einstein. He lives at the hotel with his son Edgard and some Quetzalis that work for him 3 hours a day to get a free bed to stay in. Carlos calls himself a shaman, acupuncturist, artist, dancer, painter, businessman and in the brief life story I was given I had difficulties keeping track of all the things this old man had been up to. One thing I knew for sure though, was that Carlos wore a necklace made of his own leg bones and that he would get sudden attacks of generosity and ask one egyptian guy working at the hostel to offer all guests a shot of mescal.
Sunday, February 24, 2008
Carlos Einstein Hostel
Actually I could reduce my whole travel blog into just being a description of the hostels I’ve stayed at. Since they actually become your temporarily homes for a couple of days, the atmosphere, the meetings they generate etc. becomes fairly essential to your stay. When going to Masunte, a little beach on the pacific Coast, Johanna recommended me a certain Hotel Einstein were she had been staying 3 years ago. She did not recommend it because of nice cabañas, clean toilets, nor wonderful breakfast, but due to the owner, Carlos Einstein (if he was still alive, she added). The story does not reveal Carlos real name but a glimpse at him explained his nickname Einstein. He lives at the hotel with his son Edgard and some Quetzalis that work for him 3 hours a day to get a free bed to stay in. Carlos calls himself a shaman, acupuncturist, artist, dancer, painter, businessman and in the brief life story I was given I had difficulties keeping track of all the things this old man had been up to. One thing I knew for sure though, was that Carlos wore a necklace made of his own leg bones and that he would get sudden attacks of generosity and ask one egyptian guy working at the hostel to offer all guests a shot of mescal.
San Juan Chamula by Johanna Van der Voort
We visited a town outside of San Cristobal in the mountains by the name of San Juan Chamula. Words are not worthy of the experience we had there but as I´d like to share it with you, I will try my best to describe the exprerience: It was market day when we arrived. The local women were out and about in their woolen wrap skirts, thick woven belts that keep them standing as upright as royalty, and silk embroidered Huipile blouses, their hair in 2 braids tied with coloured ribbons and tassels. The men in wool ponchos, cowboy hats and boots. All manner of fruits and vegetables were piled in neat pyramids in pots, or piles ready weighed and measured to be sold; woven blankets, embroidered cloth and shirts, all the stalls sheltering under multicoloured beach umbrellas.
We sat on some steps overlooking the plaza and watched an ancient Tzotzil woman sitting quite still, wrapped in a purple woven shawl, only her white hair, and dark glinting eyes visible gazing silently into the distance. At her feet on weathered wooden crates stood rows of plastic orange pots piled with pyramids of fresh new potatoes still covered in soil. The woman sat so still, and seemed so at peace with the world; it struck me that she had found the answer, the Inner Peace we in the Western world are always searching for. She seemed completely empty as if her mind/soul was traveling in some other dimension. She probably sits like that day in day out, only returning to her physical body occasionally to sell a few spuds!
The church on the plaza was a simple white-washed building, the arched entrance decorated in turquoise, yellow and orange designs not dissimilar to some of the embroidered clothes for sale. The entrance door was made of worn wood. Inside the church the the light was dim; the floor was covered with a carpet of pine needles; the air smelt of insense and pine. The walls were lined with glass cabinets inside which stood garisly painted statues of saints, in front of these, and all about the alter were bunches of flowers and thousands of lighted candles.
Here and there on the floor sat groups of indigenous women, and their children. Each group spanned three of four generations. In front of each group rows of white, red, yellow, blue lighted candles were stuck to the floor with wax. Near the candles stood rows of canned and bottled coca-cola or fizzy pop, clear bottles of sugar cane Liquor, clear plastic bags of eggs and a live chicken. We joined a group of women who were beginning their ritual and listened and watched as the ancient Grandmother began to chant, only stopping as each breath wheezed to an end, resuming her chant again with each new breath. She lit the row of candles furthest away from her and chanted, waiting a while; then she lit the next, until all the rows were lit. The heat of all that fire caused the candles to wilt and bend; pools of wax formed between the rows. The Grandmother chanted as she poured liquor between the candles. It bubbled and hissed and merged with the pools of wax as it evaporated. She signalled to her Daughter who pulled a nervous chicken out of a sack. The Grandmother held the chicken by its legs and swung it over the candles. It squawked, and then was abrublty silent as the Grandmother broke its neck with one swift jerk and chicken saliva dripped into the candle flames. Then each family member took a drink of liquor from a glass, the baby of the family sucked liquor from her mother´s finger; they poured liquor into their palms, wahsing thier hands with it and wiping liquor onto their heads. Finally each member of the family drank a shot glass of coca cola!
Outside the church in the village we noticed how all the walls of shops and houses were covered in advertisements for coca-cola. Apparently someone came to the town a long time ago and told them Coca-Cola was a God and they have used it as an offering along with liquor and chickens ever since.
Thursday, February 21, 2008
San Cristobal de las Casas by mi compañera
cursor:hand;"
10 days ago I was in a little village in Guatemala, on the side of Lake Atitlan and decided to escape because there were too many American New Age hippies walking around as if they had reached Spiritual Nirvana. They had absolutely no contact or relationship to the local culture and its people and I have always found spiritual arrogance very difficult to swallow. Coincidentally I met a girl, Lina, that I had met on the plane. We got along more than well and had been doing halfway attempts through email to hook up but for a months time we were always at different destinations. But anyways she was also heading to San Cristobal in Mexico, so at the earliest oppurtunity we jumped on the Chicken Bus and bounced our way across the border, meeting a French Reggae band on the way, who kept us entertained during the journey.
The city of San Cristobal is situated high in the Chiapas mountains. The climate is very pleasant- dry, warm, clear blue skies and sunshine during the day, cold and fresh at night. The majority of the population are indigenous Mayan Tzotzil Indians. Many of them adhere even more strictly to their traditions than in Guatemala, almost all of them in traditional dress, including many men. This, contrasted with the Spanish colonial Architecture- streets lined with colourfully painted houses, plazas watched over by old quiet churches- often leaves you feeling as though you are walking on a painted canvas splashed with colour and life.
Back in san Crsitobal we visited a cooperative of Indigenous Women who make theatre. It was interesting to speak to them, and learn a bit about what they do: mostly they work with themes like Climate Change (ta-taaa!!), Domestic violence, Drugs/Alcoholism, Health issues, etc. They have their own playwright who writes plays that stem from discussion and improvisation. Just right up my street I´d say!! Unfortunately we were unable to see a show or rehearsal, though...
One day when wandering about the Santa Domingo Craft Market where all the locals sell their beautiful wares, we met two Tzotzil Women sitting working at their stall, teasing wool, embroidering and making wool toys. We asked them if we could join them, help them tease wool and learn how to make some of the things they were making. What transpired were a couple of days spent really experiencing Market Life from the other side: We sat on the warm stone floor and teased wool, learnt to embroider and sew whilst they answered our questions about their culture, and we theirs about ours. It was probably one of the best experiences I have had so far (and we now know how to make woolen animals!!)
We went to the main theatre in San Cristobal to see a show called El Palenque Rojo. What a scream: directed by a Columbian, it was a wordless physical theatre piece about part of the Mayan story of Creation, the Popul Vuh. Much of the movement was graceful, the choreograpphy well rehearsed, and the use of space very inventive with actors jumping out into the auditorium, and behind and above us too, with flame torches, giant sticks and masks. But the design was terrible: tacky digital projections of moons and mountains, garishly painted wobbly platforms, headresses and masks too obviously made from foam and cardboard. Loud recorded music drowned out what live drumming, percussion and singing there was, the volume high enough to burst eardrums. The piece had no beginning, middle or end, just loud, melodramatic and overwhelming all the way through! At one point, a scene in the underworld ended in a parade; it looked like they had raided the costume and prop store and salvaged anything from past Day of the Dead (Halloween) parades. The music thumped out some dark electro dance rhythm as giant skeletons and and painted death maskes danced and screamed about the theatre. All a bit over dramatic, but a good effort non the less, and certainly very energetic on the performers´ part!
Subscribe to:
Posts (Atom)
blog blog blog.
Blog Archive
About Me
- linalainen
- Stockholm
- young woman sharing selected parts of her thougts, dreams, opinions and expieriences.
